The UK Cartoon Cabinets

Welcome to Westminster: Britain’s Longest-Running Reality Show

 

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Curtains rise on Westminster’s stage,
A modern farce for a modern age,
Two cartoon cabinets on display,
Red and Blue, they dance and sway.

Actors dressed in suits so neat,
Strut and posture, stamp their feet,
Practiced lines and scripted fights,
Spotlights burn through sleepless nights.

For crowds who binge on seaside drama,
‘Love-Island’ heat and ‘Chelsea’ glamour,
This theatre plays in broader hue,
A nation’s nightly, news-lit cue.

“Reality!” they boldly claim,
Yet every scene feels much the same,
Strings above in practiced motion,
Power churns like tides in ocean.

If one believes each speech sincere,
Each promise pure, each stance austere,
Then gentle friend, – take heed, – be wise,
Not ‘every truth’ is seen with eyes.

Behind the velvet, green-lit screen,
Where only whispers pass unseen,
Shadowed hands conduct the sound,
And puppets march on practiced ground.

Like Oz behind his emerald veil,
The show must run, it must not fail,
Great voices speak through borrowed breath,
And choreograph the ‘stage of state’.

So watch the pageant, laugh or cry,
Question every battle-cry,
For theatre fools the hearts of many,
And those who rule, are seldom any.

But hope still lives, though actors scheme,
Beyond the glare of public dream,
For truth emerges, slow yet bright,
When crowds awake to dawn-new light.

Copyright © Peter Moring  2025

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If you ever feel like Westminster looks suspiciously similar to a chaotic reality TV set, don’t worry — your instincts are working perfectly. The Commons isn’t just where politics happens; it’s where *politics performs*.

We don’t get governing — we get ‘episodes’.
We don’t get leaders — we get ‘cast members*’
And every Prime Minister’s Questions is basically a crossover between ‘Made in Chelsea’ and ‘The Apprentice’ only with fewer business skills and more wallpaper scandals.

The two big parties?

Think of them as rival ITV and BBC production units, each insisting their drama is the “real” one. The Labour arc promises transformation; the Conservative story-line always seems stuck on repeat: “Trust us this time — no, – this time.”
Both sides rehearse outrage, rehearse comebacks, rehearse “deep concern.”

It’s less democracy and more ‘political karaoke’. Everyone’s hitting notes someone else wrote years ago — and half the audience is only here because the remote’s been lost since 2016.

The Audience Participation Illusion

We, the public, are told we’re the judges — the great deciding force. Democracy, votes, representation, all that good stuff. But if this really is a talent competition, you’d be forgiven for feeling like the voting lines have technical issues *every single season*.

Instead, we tune in, scroll through political soundbites, and get fed dramatic storylines:

This MP said what? – Scandal!
That party is finished! – Crisis!
BREAKING: leadership challenge number nine thousand!

It’s gripping, sure, in the same way arguing over fictional characters in a soap opera is gripping. Except this soap determines budgets, public services, and trains that may or may not ever appear.

“Behind-the-Scenes, Coming Up Next…”

Now, satire aside, no democracy is perfect, and every government has advisers, strategists, and career civil servants. That’s normal. But sometimes it feels like our elected cast are cosplaying authority while someone else writes the script off-camera — PR firms, donors, industry whisperers, and the mysterious realm known as “advisory committees.”

Just like Hollywood agents shape stars, political handlers polish reputations, manage mistakes, and quietly feed lines. We don’t always know who they are — and that’s part of the magic trick.

This isn’t a conspiracy theory; it’s more of a ‘commentary on theatre’. Because politics, like show business, depends on illusion. The moment the seams show, the show collapses. So the seams are carefully stitched, the lights stay bright, and we clap when we’re told to.

“Tune in Next Week…”

The most ironic part? Many people genuinely care — passionately — about improving the country. There are dedicated public servants and engaged citizens who want better. But they’re competing in a landscape structured like prime-time entertainment, where outrage gets attention, attention brings power, and nuance gets cut in editing.

So what do we do?

We keep watching, yes — but maybe with a raised eyebrow and a remote nearby. We question the script, call out the melodrama, remember that headlines are not commandments, and realise that ‘the audience eventually shapes the show’ — once it stops cheering at the wrong moments.

Because someday, the set lights might dim, the soundtrack might fade, and the credits will roll.

And then — just maybe — we’ll choose a different genre.

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Please Leave Your Comments Below …..

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The Beat Of A Plasterer’s Day

The Day In The Life Of A 70’s Site Plasterer

>>> @ PMplastering.net <<<

 

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You rise before dawn, the sky still gray,
The missus calls, “Stay in bed today!”
But you growl, “No love, I can’t let down—
The site won’t wait while I lie around.”

You pull on clothes with plaster crust,
Steel-toe boots, and gear you trust.
Each step you take leaves dusty trails,
Through morning mist and foggy gales.

It’s the life of a site plasterer, strong and proud,
Covered in dust, still laughing out loud.
From sunrise grind till the close of play,
That’s the rhythm of a plasterer’s day.
Ohhh— the trowel keeps time, the walls obey,
That’s the beat of a plasterer’s day.

Cereal downed, the sandwiches made,
Juice topped up, tea freshly laid.
A kiss goodbye, you’re out the door,
To beat the rush and face the roar.

You reach the site while others sleep,
Your trowel in hand, your faith runs deep.
No time for chat or breakfast stop,
You’re in the mix till the final drop.

It’s the life of a site plasterer, strong and proud,
Covered in dust, still laughing out loud.
From sunrise grind till the close of play,
That’s the rhythm of a plasterer’s day.
Ohhh— the trowel keeps time, the walls obey,
That’s the beat of a plasterer’s day.

You smooth the walls till they gleam and shine,
A craftsman’s touch, near godlike line.
By dusk you’re spent, your body sore,
But pride still hums—“I’ll do one more.”

Home again, the bath runs hot,
Dinner’s steaming in the pot.
Kids leap high to grab your knee,
But all you crave’s some peace and tea.

It’s the life of a site plasterer, strong and proud,
Covered in dust, still laughing out loud.
From sunrise grind till the close of play,
That’s the rhythm of a plasterer’s day.
Ohhh— the trowel keeps time, the walls obey,
That’s the beat of a plasterer’s day.

Then comes the cry—“Oi, lazy lump!
We’re going out, now shift your rump!”
You grin, gear up, and hit the road,
Pub, friends or park? – your joy reloads.

The cash rolled in, life felt so sweet,
Each day’s hard graft made ends meet.
But then one day, the hammer dropped—
“Health and Safety!”—the freedom stopped.

Now fences rise where laughter played,
Rules on rules, all joy decayed.
Start when told, and leave on cue,
No jokes, no smoke, no banter too.

They watch your step, they mark your name,
The “Woke Brigade” has changed the game.
Yet still you plaster, proud and true,
Because that’s what real tradesmen do.

It’s the life of a site plasterer, strong and proud,
Covered in dust, still laughing out loud.
From sunrise grind till the close of play,
That’s the rhythm of a plasterer’s day.

Ohhh— the trowel keeps time, the walls obey,
That’s the beat of a plasterer’s day.

>>> @ PMplastering.net <<<

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Copyright © Peter Moring  2025

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The Socialists Battle-Cry

When Success Feels Like a Crime: Dreams, Bureaucracy & the Quiet War on Independence

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They whisper in corridors polished and grand,
“Success is suspicious, too much in one hand.”
You dreamed under sunshine, in warmth by the sea,
But power prefers who kneels, not who’s free.

They brand you “too lucky,” “too bold,” “too proud,”
And tug at your wings while they cheer in a crowd.
“Take him down just a notch,” goes the socialist song,
For rising too far is apparently wrong.

They toast to new slogans in sleek marble halls,
Where freedom gets traded for plans on their walls.
“Own nothing,” they promise, “and smile as you do,”
But strings come attached to the bows that they glue.

Your house on the hillside, your peace in the sun,
Now tugged by red tape till the dream comes undone.
Coerced! — if we coined it — to bend, shift, obey,
While pen-pushers rewrite the rules day by day.

They dress up control like a helpful embrace,
Then quietly ration each slice of your space.
The rich, and the modest, and poor in the queue
All funding a feast they’re not welcome to chew.

For the ones with the gavels and titles so sleek
Find gold in the pockets of those they critique.
A cloud with more thunder than silver you see,
Where storms are for you, but the sky’s always free.

They toast to new slogans in sleek marble halls,
Where freedom gets traded for plans on their walls.
“Own nothing,” they promise, “and smile as you do,”
But strings come attached to the bows that they glue.

Yet laughter survives where rebellion begins,
And truth still has teeth though the system wears grins.
So lift up a glass to the ones who pretend
That fairness is real where their benefits end.

If perks are so grand in the political game,
Perhaps you should join, sign your soul and your name.
Sit high on the stage where the loopholes are sweet,
And learn why the ruling crowd never tastes defeat.

But until that day, keep your courage and grin,
For dreams chased in daylight are harder to pin.
And though power may scheme to reduce what you’ve grown,
A spirit like yours will not bow to a throne.

They toast to new slogans in sleek marble halls,
Where freedom gets traded for plans on their walls.
“Own nothing,” they promise, “and smile as you do,”
But strings come attached to the bows that they glue.

Copyright © Peter Moring  2025

 

….. Wear With Pride! …..

There’s a strange shift happening in modern society — a quiet cultural backlash against success, independence, and the pursuit of a personal dream. Not the fairy-tale kind sold in glossy magazines, but the real one: saving, building, and carving out a life where sunlight and choice are your everyday companions.

Yet for many who have tried to live that dream abroad — trading grey skies for golden coasts — reality sometimes feels less like liberation and more like a bureaucratic ambush.

Suddenly, achievement becomes suspicious.
Hard work is recast as privilege.
And instead of celebration, there’s a subtle campaign to “bring you back down to earth.”

Not because you’ve done wrong — but because you dared to aim high.

The Politics of Envy:

There is a growing cultural trend: if you own something valuable, if you’ve built a life of comfort, some believe you must be humbled, monitored, or taxed until the reward feels like a burden.

It’s a misguided attempt at fairness that often punishes those who simply worked for what they have.

The irony?
While everyday people shoulder rising costs and shifting rules, there always seems to be a tier above — the polished class — whose perks are mysteriously immune to the pressures they impose on others.

Their world: privilege without consequence.
Ours: effort without immunity.

Social systems designed to “protect everyone” often end up policing ambition instead.

When a Dream Becomes a Deadline:

Imagine moving somewhere peaceful, chasing sunshine and simplicity… only to discover you’re now a target for regulation, envy, and slow suffocation by paperwork.

The place that promised freedom now feels eerily familiar — like the very system you tried to leave behind.’
It’s not that countries are villains; it’s that ‘systems have gravity*.
And when a society leans too heavily toward control in the name of fairness, independence becomes a rebellious act.

The Quiet Rebellion: Keep Dreaming Anyway:

In times like this, the strongest resistance is not shouting in the streets — it’s refusing to let ambition be shamed.

It’s holding on to the belief that earning something isn’t a sin.
That success doesn’t need permission.
That a dream lived honestly is still worth defending.

The world may try to standardize happiness, to ration freedom, to tell you what fulfillment should look like — but there will always be those who prefer sunlight to ceilings, and effort to entitlement.

And that spirit is hard to suppress.

So pour the wine, keep the keys, and don’t apologize for wanting a life that feels like ‘Yours’.

A dream built in daylight is worth fighting for.

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A Little Nip and Tuck, My Dear

“A Little Nip and Tuck, My Dear?”  – The War on Authentic Beauty

 

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It’s a strange new age we’re living through,
Where truth feels blurred and hearts untrue,
Where beauty’s scorned and lies take flight,
And day parades itself as night.

The mirrors crack with filtered glare,
While wisdom whispers—few still care,
The voices loud, yet none are clear,
Their truth is built on borrowed fear.

Cosmetic Players rub their hands,
They ridicule beauty proud and true.
They have their mind’s eye set on You!

They tell the lovely to disguise,
To dim the spark within their eyes,
For envy loves the shadowed glow,
Where weaker seeds of hatred grow.

“Be less,” they chant, “don’t stand too tall,
Your shine offends, so dim it all!”
But grace can’t die, it hides, then burns,
And beauty lost—forever yearns.

Cosmetic Players rub their hands,
They ridicule beauty proud and true.
They have their mind’s eye set on You!

They preach their pain as sacred right,
To curse the dawn and bless the night,
Yet all that hate they claim to fight,
Is fed by mirrors turned too tight.

Approval sought, approval gained,
In echo halls where souls are drained,
The “woke” mind virus softly hums,
And reason fades as madness comes.

Cosmetic Players rub their hands,
They ridicule beauty proud and true.
They have their mind’s eye set on You!

They twist the words, they warp the song,
Convince the bright that bright is wrong,
Yet truth still waits, a quiet spark,
That lights the path out from the dark.

For every girl who doubts her grace,
Who hides her heart to please the space,
Remember — envy loves disguise,
But cannot mask a star that flies.

Cosmetic Players rub their hands,
They ridicule beauty proud and true.
They have their mind’s eye set on You!

So let them talk, and let them sneer,
Their noise will fade, your light stays clear,
The mind is strong, the soul will mend,
And beauty, real — will win again.

Cosmetic Players rub their hands,
They ridicule beauty proud and true.
They have their mind’s eye set on You!

Copyright © Peter Moring  2025

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We live in a strange new age — one where truth feels optional, filters define reality, and authenticity is often treated as rebellion. The poem *“A Little Nip and Tuck, My Dear”* captures this unsettling transformation perfectly. It speaks to the quiet tragedy of a world that worships the artificial while scorning what’s real.

The poem opens with a lament: *“It’s a strange new age we’re living through, where truth feels blurred and hearts untrue.”* This line sets the tone for a cultural critique that feels both poetic and painfully relevant. We’re surrounded by distortion — not just in our newsfeeds or politics, but in our mirrors. Social media filters, cosmetic surgery, and online validation have created a reality where “day parades itself as night.” The line between self-expression and self-erasure grows thinner every day.

The “Cosmetic Players” in the poem are more than surgeons or influencers — they’re symbols of a system that profits from insecurity. They “rub their hands,” delighted not by beauty itself but by the power to redefine it. They ridicule what is “proud and true,” convincing people — especially women — to dim their natural light in favor of a safer, sellable version of themselves. The poem warns that their “mind’s eye is set on you,” reminding us that no one is immune from this cultural conditioning.

The poem’s refrain — repeated like a haunting chorus — serves as both a warning and an accusation. It’s the sound of society whispering: *“Be less. Don’t stand too tall. Your shine offends.”* It echoes through advertising, social media, and entertainment — all urging us to conform to the same narrow vision of beauty and virtue. But as the poem insists, grace cannot die. It hides, it waits, and eventually, it burns bright again.

In one of the most striking passages, it states:

*“They preach their pain as sacred right,
To curse the dawn and bless the night.”*

This clever inversion captures the current cultural confusion, where outrage is often mistaken for moral strength, and victimhood for virtue. The “woke mind virus,” as the poem puts it, hums quietly beneath the noise — draining empathy and reason until even kindness becomes political currency.

Yet despite its sharp criticism, *“A Little Nip and Tuck, My Dear”* is ultimately hopeful. It’s a call to resist — not with anger, but with authenticity. To every person who’s been told to tone it down, to hide their spark, or to blend in, the poem offers a simple truth: real beauty does not seek permission. Envy may disguise itself as virtue, but it can’t extinguish a soul that shines.

As the final verse declares:
*“So let them talk, and let them sneer,
Their noise will fade, your light stays clear.”*

In the end, the poem reminds us that while the world may twist and warp the meaning of beauty, truth endures — quietly, confidently, and irresistibly human.

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Is The UK A Testing Ground

Is the UK Becoming a Testing Ground for Global Control?

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They say it started softly, just cameras on the street,
Watching faces passing by, quiet eyes that never sleep.
Safety was the story, the promise, the excuse,
But safety turned to silence when the lens became abuse.

Whispers in the airwaves, headlines full of fear,
Voices told to trust the plan, to do as they were steered.
Truth became a weapon, twisted by the spin,
And doubt became the enemy that lived beneath our skin.

They sold us peace through panic, health through silent pain,
Needles full of questions that we cannot ask again.
Leaders smiled on screens while shadows pulled the strings,
And freedom slowly folded with the weight that power brings.

Now the digital horizon glows a brighter shade of grey,
A number for your heartbeat, your worth a data display.
They call it ease and progress, a passport for the soul,
But every scan and login leaves a deeper kind of hole.

Tiny flats in towers, built for who, for what?
Concrete dreams and steel routines — the cities we forgot.
Rooms without a sunrise, hearts without a home,
Ghettos of compliance where the quiet voices roam.

We’re trading truth for comfort, our courage for a screen,
Believing in the narrative, forgetting what it means.
And somewhere in the static, a whisper can be found:
The UK is the testing ground, the world’s rehearsal sound.

If here we bow and follow, then others soon will too,
Europe, then Australia, then Canada in view.
The net will draw in tighter, the rules will redefine,
Until choice is just a memory that flickers in the mind.

So sing while you are able, dance beneath the sun,
Speak before the silence falls and words are overrun.
Freedom isn’t taken — it fades when left behind,
Guard it like a candle in the storm inside your mind.

Copyright © Peter Moring  2025

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Over the past few years, many people have begun to question whether the United Kingdom has quietly become a testing ground for new systems of control — political, digital, and even social. From mass surveillance to the increasing reach of government over personal decisions, it’s easy to see why concern is growing.

The UK was one of the earliest adopters of widespread CCTV surveillance, and at the time, many argued it was necessary for public safety. Yet, over time, the purpose seems to have expanded far beyond crime prevention. Cameras are now part of a larger digital ecosystem that includes facial recognition, data collection, and the growing influence of Artificial Intelligence in everyday monitoring. The idea of privacy has shifted from being a right to being a managed privilege.

During the Covid-19 pandemic, the sense of unease deepened. Many citizens felt that the government and mainstream media used fear and manipulation to steer public behavior. Messaging was often contradictory, and critics who questioned the official narrative were dismissed or silenced. For some, it appeared to be less about health and more about compliance — a population being conditioned to accept control in the name of safety.

Now, as we move into a new phase of “digital transformation,” another major concern is emerging: the Digital ID system. Presented as a convenient solution for accessing public services, travel, and banking, it also raises troubling questions. How much of our personal data will be stored, shared, or tracked? And who will ultimately control access to our digital selves? Many fear this could evolve into a social credit–style system similar to that seen in China — where conformity is rewarded and dissent quietly punished.

Alongside this, a noticeable shift is happening in urban planning. Across the UK, commercial properties are being rapidly converted into small one-bedroom flats. On paper, this seems like a solution to the housing crisis, but many of these new “micro-units” remain only partially occupied. Some critics worry that these developments could become modern ghettos — dense, controlled environments for those who can no longer afford or are not permitted to live more freely.

Taken together, these trends paint a picture of a society inching toward something uncomfortably authoritarian. The combination of digital surveillance, centralised control, and restricted mobility could, within a few short years, leave citizens with little room to opt out. Once established, such systems are notoriously hard to dismantle.

If the UK truly is the testing ground for these new models of control, then the rest of Europe — and much of the Western world — may not be far behind. Australia and Canada already show similar patterns, and it’s easy to imagine these developments spreading globally under the banner of “progress” or “sustainability.”

The time to question, debate, and resist excessive control is now.
Freedom, once traded for convenience or security, rarely returns without a fight.

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Yonks Ago – The Original Source

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**A Dog Named HONK**

 

My claim to fame, both proud and true,
Is something small, but dear to do,
My mate named Stan, a friend of old,
Helped birth a word now widely told.

Back in the sixties, swingin’ days,
When music hummed and minds would blaze,
We shaped a phrase that time prolongs,
A simple word. we called it *“Yonks.”*

You may have doubts, you may protest,
But still, it’s true — I don’t jest!
For Stan and I, with mischief’s spark,
Made language dance from light to dark.

He had a dog — a wiry chap,
With bristles coarse and scruffy nap,
They called him *Honks* (though why, who knew?),
He didn’t honk — but barked AT You!

A guard dog fierce, with loyal heart,
But poor at stealth or sneaky art,
For Stan must shimmy down the drain,
To meet me out on fear of pain.

His mum and dad were less than happy,
By how their lad and I were pally,
Yet still we schemed with code and grin,
Each whistle signaled, “Let’s begin!”

When Stan was grounded, we’d still play,
In secret sounds from far away,
Old Honk would tilt his head askew,
But never guessed what we would do.

He had a dog — a wiry chap,
With bristles coarse and scruffy nap,
They called him *Honks* (though why, who knew?),
He didn’t honk — but barked AT You!

So when we spoke of times long gone,
Of scrapes and dreams we’d stumbled on,
We’d laugh and say, with knowing glow,
“It happened *Honks Ago*, you know!”

And as the months began to flow,
Our phrase evolved, as phrases go,
From *Honks Ago* through youthful pranks,
To *Yonks Ago* — and so, our thanks.

He had a dog — a wiry chap,
With bristles coarse and scruffy nap,
They called him *Honks* (though why, who knew?),
He didn’t honk — but barked AT You!

Now every time that someone says,
“Yonks ago,” in modern days,
I smile and think of Stan, my mate,
And all the tales we’d fabricate.

I’d shout his name for all to cheer,
But Stan’s a private soul, I fear,
So here’s my nod — a gentle bow,
He knows ….. I’m sure ….. he’ll smile somehow.

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Copyright © Peter Moring  2025

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The Ballad Of Rishi

The Story Of The Expectations And Experiences Of A British Prime Minister

 

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Rishi rose with a glimmering plan,
Dreaming he’d be Britain’s man.
Smiling bright with polished charm,
He thought he’d bring the land no harm.

But once he reached that golden chair,
He found the truth was lurking there.
The PM’s crown, though shining new,
Belonged not to him—but to ‘TheFew’🦎🦎

Whispers came from hidden halls,
Echoed deep through marble walls.
Tony Blair, the phantom hand,
Guiding power across the land.

For promises of endless gold,
And influence both fierce and bold,
He bowed before the secret gate,
Where lizards 🦎laugh🦎 and seal your fate.

Poor Dippy-Rishi, blind to scheme,
Lost inside another’s dream.
He danced to Blair’s commanding tone,
A puppet on a gilded throne.

He played along, he wore the grin,
Obeyed the scripts they’d written in.
But when the call grew far too grim,
His wife said, “No way, not for him!”

So Rishi schemed a sly escape,
To dodge the claws, to shift the shape.
He called election—smiling wide—
And let the poison pass aside.

For promises of endless gold,
And influence both fierce and bold,
He bowed before the secret gate,
Where lizards laugh and seal your fate.

To Starmer’s grasp the chalice fell,
A gift disguised—a curse from hell.
And Rishi ran without delay,
To hide where shadows fade away.

Now safe among  The Hills that Run,
Counting zeros one by one.
He sleeps in wealth, secure, alive,
Financial growth that will survive.

For promises of endless gold,
And influence both fierce and bold,
He bowed before the secret gate,
Where lizards laugh and seal your fate.

He served ‘TheFew’ 🦎🦎 He played his part,
He sold his will, he saved his heart.
And while they rule from out of view,
They still control both *Me* and *You*.

Copyright © Peter Moring  2025

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Rishi, TheFew – And the Poisoned Chalice of Power

When Rishi Sunak first stepped into Number 10, you could almost see the sparkle in his eye — the quiet conviction that *he* was going to be *The Man.* The one who’d steady the ship, fix the mess, and leave his mark in the history books. But what Rishi soon discovered — as so many before him have — is that the Prime Minister’s chair isn’t the throne of power it appears to be. It’s a gilded seat built on someone else’s foundation: *TheFew*🦎🦎 who truly pull the strings.

The British establishment has long had its unseen architects — the ones who shape policy, nudge decisions, and whisper the “acceptable” limits of leadership. According to many, Tony Blair is still one of those architects. Since leaving office, Blair has built a network of influence so vast and so subtle that even world leaders have been known to seek his counsel. And what’s the trade-off? Unlimited wealth, global prestige, and a lifetime invitation to the tables where real power dines.

Sunak, or “Dippy-Rishi” as his critics mockingly call him, might have believed he was there to make change. But soon enough, he learned that change isn’t what *The Few* want. They want continuity. They want compliance. And above all, they want control.

Rishi rolled along with the grand design for a while, taking the briefings, repeating the lines, signing off the deals — until the day came when he was asked to cross a line he simply couldn’t. That was the same line Keir Starmer now marches over without hesitation. When Sunak’s wife — known for her own sharp instincts — caught wind of what he was being asked to do, she reportedly said, *“No way, José.”*

And that’s when the game changed.

Rishi made his move not with defiance, but with calculation. He called the election early — knowing full well he would lose. To the untrained eye, it looked like a blunder. But in the darker corners of Westminster, many knew exactly what it meant: the passing of a *poisoned chalice.* Starmer would inherit the mess, the mandates, and the machine. Rishi, meanwhile, could step back into the shadows with no direct blame and no real consequences.

For his loyalty and cooperation, he earned what might be called *financial geometric progression* — the kind of secure, ever-growing wealth that only obedience to *TheFew*🦎🦎 can buy.

Now, while the country debates policy promises and partisan sound bites, the real power hums quietly in the background, unchanged. Rishi’s chapter has closed, Starmer’s has begun, and the same unseen hands continue to write the story.

Whether you call them “TheFew” 🦎🦎 “The Blair Network,” Or something darker still, the truth remains: ‘They’ control more than we care to admit — perhaps even *Me! and *You!

 

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The Demise Of The UK Charity Shops

Charity Shops Going Out Of Business – Charity Shops Closing – Because Of Charity Shops Greed?

 

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The Demise Of The UK Charity Shop

People are miffed, and rightly so,
At shops that tell them, “Thanks, but no!”
Their gifts, once loved, now deemed too plain,
“Not up to standard,” they explain.

The larger chains, with lofty air,
Decide what’s “worthy” with a stare.
Once humble hearts with noble aim,
Now chase the shine of profit’s flame.

They scroll through eBay late at night,
And Facebook deals that gleam so bright.
They think, “We’ll match those prices too,
We’re just as grand, as sharp, as new!”

But here’s the truth they fail to see—
Their charm was thrift, not luxury.
For shoppers came with coin and heart,
To give and play a giving part.

They bought to stock those stalls anew,
And fund the cause the shops once knew.
But now the shelves are tagged too high,
And kindness fades, though few ask why.

They’ve shot themselves, both foot and name,
In chasing wealth, they’ve lost their aim.
The charity’s become a store,
That helps the needy—nevermore.

For greed, that sly and smiling sin,
Has crept inside and settled in.
The simple joy of give and take,
Now lost beneath the price they make.

Perhaps one day they’ll see their flaw,
And trade their greed for kinder law.
But if they fall, as pride may do,
The blame, dear friends, is theirs—not you.

So let them learn, if learn they might,
That charity should shine with light.
Not measured coins, but open hand—
That’s how good hearts can truly stand.

Copyright © Peter Moring  2025

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People are SO MIFFED! At being told by MOST! Of the Larger (More Important! Obviously) Charity Shops that their contributions “Don’t Meet Our Quality Standards” … WELL! They Watch Facebook Market-place & eBay Sales FAR TOO OFTEN! For their own GOOD! … They’ve UPPED Their Prices thinking that THEY are competing against those market-places … They Aren’t! .. People BUY at charity shops to not only STOCK! those market Places, but to AID The Charity selling them – Therefore – Shooting Themselves! and Their Charity – Right In The FOOT! – Maybe They Deserve! To Go Broke? – Isn’t GREED One of ‘The Seven Deadly Sins’ ??

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The Homeless Death-Knell For UK Family-Life

 

Please Click PLAY Above And Follow Along Below

 

For every house turned “serviced stay,”
A home for someone fades away.
One key exchanged for profit’s gleam,
One family lost their living dream.

Where laughter rang, now curtains fall,
Cold silence whispers through the hall.
Each polished suite, each weekend let,
Breeds sorrow, debt, and deep regret.

They’re buying homes, they’re buying streets,
Where once were children’s dusty feet.
From hotel chains to humble doors,
Their greedy fingers clutch for more.

Serco’s web is wide and deep,
They profit while the poor folk weep.
Landlords tempted by their gold,
Evict the hearts their walls once hold.

Five-year deals and seven-year lies,
Refurbished homes, a nation’s cries.
Contracts signed in hidden rooms,
While cities fill with silent tombs.

Where laughter rang, now curtains fall,
Cold silence whispers through the hall.
Each polished suite, each weekend let,
Breeds sorrow, debt, and deep regret.

“British? Back o’ the queue,” they sneer,
As tents like mushrooms now appear.
Office blocks and towered cells,
Become the place where struggle dwells.

Families once so full of grace,
Now fight to keep a resting place.
The working poor, the zero-paid,
By profit’s knife are cut and flayed.

Serviced homes for those who can,
But none for child or working man.
The rent’s too high, the wage too small,
The ladder’s gone, they watch it fall.

Where laughter rang, now curtains fall,
Cold silence whispers through the hall.
Each polished suite, each weekend let,
Breeds sorrow, debt, and deep regret.

Developers smile with practiced charm,
While nations crumble, arm by arm.
They justify but can’t excuse,
The human cost, the soul they bruise.

And as they trade our roofs for gold,
The heart of home grows weak, grows cold.
Yet truth will rise, and voices flame—
To halt this theft in housing’s name.

Copyright © Peter Moring  2025

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Please Click The Image Below To Learn HOW Serviced Accommodation Has Become The ‘Cancer’ That Is Seeing The ‘Organised Destruction’ Of Family Life Internationally.

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The UK Streets With No Shame

“*The UK Streets With No Shame* is a haunting social commentary song about community, courage, and the loss of compassion on Britain’s modern streets.”

 

 

I walk through the night where the cold winds call,
Where curtains twitch and the brave hearts fall.
On streets where fear has carved its name,
We live in silence — the streets of shame.

The young ones sneer with a lawless grin,
Their laughter drowns the truth within.
While decent souls just hide away,
Afraid to speak, afraid to stay.

Oh, these streets with no shame,
Where the good hearts break and the wicked reign.
We’re losing faith, we’re losing name,
In the darkness of the streets of shame.

The coppers chase through the flashing light,
Through quiet towns in the dead of night.
But not for tears, or broken doors,
Just games and speed and TV scores.

One mother painted her pain in white,
“Love thy neighbour” her holy fight.
“Jesus loves you” her heart proclaimed,
But *she* was fined — the world’s deranged.

Oh, these streets with no shame,
Where the kind are mocked and the cruel remain.
We used to stand, now we hang our heads,
In the echo of the words unsaid.

Maybe we need an Equaliser’s hand,
To walk the night and cleanse the land.
To strike the fear in hearts of flame,
And heal these broken streets of shame.

For fire meets fire when reason dies,
When truth is drowned by polished lies.
The leaders talk, but none will claim,
The wreckage of our streets of shame.

Oh, these streets with no shame,
Where the love is lost, and the guilt’s the same.
Still we light our lamps in hope’s small flame,
To guide us through these streets of shame.

To guide us through — these streets of shame.
To guide us through — these streets of shame.

 

Copyright © Peter Moring  2025

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Having just watched yet another TV programme highlighting our ‘UK Streets of Shame’ I really do wonder what happened to common sense and dignity in our communities. We are talking about rogue/feral families who live in communities and literally ‘terrorise’ vulnerable individuals or families to the point of despair, with the police and the authorities passing the buck between themselves for years while it goes on in full view of all the equally terrified neighbours who ‘know’ for a fact that if they try to stand up for the victims, that they’ll be next on the list.

Apparently, one mum decided to board up her windows and spray the words “Love thy neighbour” and “Jesus loves you” on the boards. The authorities took no time at all in taking her to court and getting her fined while the feral yobs reigned supreme sticking their fingers up to all and sundry.

We’re all now very familiar with the ‘glut’ of TV reality shows trying to endear us all to the very tough cops we now have on our ‘streets of shame’. The only problem is, the only thing they’re interested in is playing cops and robbers in their cars, chasing drivers at ridiculously high speeds through residential areas causing damage, mayhem and mortal danger to everyone who just happens to be in the wrong place at the wrong time. Usually because a car’s not insured, MOT’d, or the driver has no licence. None of these offences come anywhere NEAR the magnitude of the social destruction being caused by the feral families.

But of course, it’s not so exciting a job is it. It doesn’t make for good telly, the police chasing yobs who can always out-run and out-smart them. Maybe it’s time the UK Government introduced an ‘Equaliser Force’ who, like the TV hero Edward Woodward played many years ago, could go out in the dead of night and put ‘The fear of God’ up these social bullies. Preferably with a bit of necessary ‘persuasion’ as well.

Fighting fire with fire, works very well in nature. There’s no reason why it wouldn’t work just as well on our troubled ‘Streets of Shame’. At one time, communities looked out for each other, but thanks to successive Government ineptness, our communities have been broken down to the point where we’re all suspicious of one another and rarely talk, let alone stand up for our neighbours.

A Common sense Government would introduce an ‘Equaliser Force’ to sort this frustrating problem out. But when did politics have any association with ‘Common Sense’?

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